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Ant Group’s Topnod Sells 4,088 Blockchain Art Pieces in 3 Hours

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By Aggregated - see source on August 4, 2025 Blockchain
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Author

Hongji Feng

Author

Hongji Feng

About Author

Hongji is a reporter who covers crypto, finance, and tech. He graduated from Northwestern University’s Medill School of Journalism with a Bachelor’s and a Master’s. He has previously interned at HTX,…

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Last updated: 

August 4, 2025


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Cryptonews has covered the cryptocurrency industry topics since 2017, aiming to provide informative insights to our readers. Our journalists and analysts have extensive experience in market analysis and blockchain technologies. We strive to maintain high editorial standards, focusing on factual accuracy and balanced reporting across all areas – from cryptocurrencies and blockchain projects to industry events, products, and technological developments. Our ongoing presence in the industry reflects our commitment to delivering relevant information in the evolving world of digital assets. Read more about Cryptonews

digital art

Key Takeaways:

  • Ant Group’s move with Topnod indicates blockchain’s expansion into cultural and creative industries in China.
  • The initiative could test demand for low‑priced blockchain‑verified collectibles in mainstream consumer markets.
  • Integration with Alibaba’s broader ecosystem may accelerate adoption across commerce and digital services.

Ant Group’s digital asset platform Topnod has launched its “Online Digital Art Exhibition,” according to a Sina Technology News report published on August 4.

Unlike the B2C model adopted by other digital art marketplaces, the platform allows creators to upload and sell their artworks once they have passed copyright review and declaration. Each purchase is recorded with a unique blockchain identification number, providing permanent ownership to the buyer.

Pre‑Sale and Public Sale Model

Topnod said the exhibition adopts a “pre‑sale + public sale” structure. During pre‑sale, user interest helps determine whether the artwork will be issued, the quantity minted, and its pricing. Public sales then proceed with finalized editions.

The pricing model, typically ranging between 8 and 28 yuan (about 1–4 USD), is designed as a small “tip‑like” mechanism for users to support their preferred artists. Within three hours of launch, 4,088 pieces were reserved by users, according to the report.

Artists, including painter Dai Dunbang and recent graduates of art academies, are among the first group of participants. The platform said it intends to help creators gain visibility while receiving market feedback to support ongoing work.

Support for Digital Art Creators

A Topnod program manager said the platform will allocate internal and external traffic resources to promote the exhibition and retail creator shops. It will also provide support to help artists attract and manage fans.

Topnod also plans to develop a digital artist ecosystem to foster collaboration among creators and integrate online and offline engagement.

Ant Group is an affiliate of Alibaba Group, best known for operating Alipay, and has been expanding its presence in blockchain through initiatives focused on digital finance and asset verification.

Ant Group was excited to participate in WAIC 2025 in Shanghai, where we showcased our comprehensive advancements in AI technologies and products, including the AI healthcare manager AQ and a series of AI large models.

As Cyril Han, CEO of Ant Group, noted, “Ant Group is… pic.twitter.com/kMl6wqVrkf

— Ant Group (@AntGroup) July 30, 2025

The company has developed multiple blockchain applications in supply chain management, cross‑border trade, and intellectual property protection.

Topnod shows Ant Group’s ongoing strategy to integrate blockchain into consumer‑facing platforms, extending beyond payments into digital identity, data services, and now cultural content.

Frequently Asked Questions (FAQs)

What role could blockchain play in intellectual property enforcement through Topnod?

Unique blockchain IDs provide verifiable ownership records, potentially reducing counterfeit risks and strengthening copyright protection for digital artists.

Could Topnod’s model influence global digital art markets?

If successful, the model could encourage other markets to adopt blockchain‑verified collectibles with micro‑pricing to expand participation.

What challenges might the platform face?

Adoption could depend on demand, user trust, regulatory approval, and whether low‑cost digital art translates into sustainable income for creators.




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